Our Artist
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Eros Gasparini was born in 1973 in Dolo (Venice) and studied art, after graduating from the Art Institute and then from the Academy of Fine Arts in 1997. He has always loved capturing light, stopping it, enclosing it in the intricate texture of matter, always using and experimenting with new techniques, achieved with patient, alchemical work, sometimes casual.
The colors, the atmospheres, the gold and silver, the iron and copper of his works project the spectator into the artist's mental landscapes, vague memories, places that perhaps no longer exist.
re art is finding myself in a fascinating place where perception – awareness of sensitive experience – merges with gesture, the genuine and true pictorial act is indispensable for me.
For this reason I have undertaken a path of continuous research and experimentation, with the aim of finding my most authentic self, exploring the landscape in an often nostalgic way and establishing a link between external reality and the internal world.
I prefer the use of oil paint and I always search for new mediums that, like new words, can communicate other sensations, I have almost completely abandoned the use of the brush and I rely on spatulas carved from pieces of cardboard and wood, the use of acids and metallic powders are essential to reach new chromatic stages.
I fabricate an illusion that inhabits the realms of my imagination
His works are present in numerous private collections in Italy, Switzerland, Portugal, Spain, France, England, Scotland, Ireland, Germany, Croatia, Slovenia, Hungary, Russia, Mexico, China, United States of America, Japan, Australia,
VIEWLESS
ARTWORKS
Enrico De Santis
Noto fotoreporter italiano , di respiro internazionale , cattura con i suoi scatti luoghi incontaminati e ne esalta bellezza e unicita´.
Utilizzando l istinto e l´ esperienza, genera opere di profonda valenza artistica volte a portare un messaggio di consapevolezza e protezione verso il pianeta e la sua salvaguardia.
"L arte vista non solo come espressione del bello , ma anche come profondo contenuto umano."
Nel progetto ESOCALIE , l artista fonde totalmente questi aspetti e porta la Bellezza (" Kalos" ) che e´ fuori ("exo") , dentro di noi.
Le ESOCALIE sono opere d arte composte da fotografie inserite in porte antiche , telai di finestre , o pezzi di barche portati dal mare recuperate e rigenerate manualmente dall autore, che costituiscono parte stessa dell opera , non delimitano , ma si uniscono e portano ad un'altra dimensione .
Il concetto del riuso sposa pienamente il contenuto della immagini.
Ogni opera e´unica ed irripetibile e certificata come tale.
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Ana Maria Reque
Giuseppe Zanon's artistic path is characterised by its profound relationship between photography and painting.
Through photography the artist gives the image a suggestive pictorial vision.
Through personal processes and paths Giuseppe Zanon creates photographic works whose plays of light and shadow create surreal chromatisms.
His artistic ability is constantly expanding, which makes his works exclusive.
Frank Cimitan
A characteristic of Franco Cimitan's painting is the attention to the pictorial rendering of light. The artist tries to give autonomy to light, representing it not as a reflection on things, but as an autonomous atmospheric entity. For this reason he uses color freely, and the images that derive from it have an almost abstract appearance, barely touched by a glow that recalls dawn. Or sunset. Light is the true protagonist of his paintings, even in its absence, capable of transforming the entire painting into something more than a symbolic path. When I look at his landscapes, so simple in their structure, I feel that every shape, apparently casual, hides a mystery to decipher. And there is a whole poetry in their light, bitter, rough, a poetry even in knowing how to render the light of the night. A delicate pictorial oxymoron, his nights possess the intensity of a landscape in broad daylight, introjected to the point of disappearing, dissolved in the same color and in the light that like a casing envelops things and makes them immaterial. It is nature seen as a symbol, with which the artist confronts himself and from which he chooses those atmospheres that seem to him to best reflect his inner reality. Cimitan's painting is in my opinion a painting of ideas and its symbolic nature amplifies its ambiguity but also its seduction. The desire for fog rather than sun, the particular way of connecting figures to the landscape, the bodies of water, the reflections of light are the expression of a desire to live in contact with nature and to exist in harmony with the universe.
Katrin Pujia
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